Creatives on Esherick: Mark Sfirri
This May we kicked off an exciting new social media series, Creatives on Esherick, inviting contemporary artists, makers, and scholars to share
This May we kicked off an exciting new social media series, Creatives on Esherick, inviting contemporary artists, makers, and scholars to share
As our temporary closure has continued, we have continued to find new ways to share the inspiration inherent in Esherick’s Studio, and
Rob Leonard admiring Esherick's sense of play in 'The Race,' the horse and jockey game Esherick carved for his children. Photo
In celebration of Women’s History Month, we are excited to repost this 2013 blog entry by former Executive Director & Curator Paul
Miriam Phillips and Wharton Esherick, 1965. Unless otherwise noted, all quotes in this blog post were taken from oral history
Wharton Esherick's 1958 Cabinet Desk. Photo courtesy of James Mario. This month we were excited for the opening of
https://youtu.be/8qjUNltQpU4 On each visit to Wharton Esherick’s Studio, you will undoubtedly see an open drawer or cabinet filled with Esherick’s belongings.
Wharton Esherick's kitchen, added in 1966. Written in 2016 by Dan Macey, this article originally accompanied an event for the
Fireplace and door from the Curtis Bok House, 1935, Wharton Esherick. The captivating and sorrowful sculpture, Nocturne, made by
Andante, 1930, red sandstone, 29 in (height), Wharton Esherick. The Whitney Biennial is thought of as a snapshot of art