Spotlight Talk: Preserving Esherick’s Windows
Esherick's Studio is remarkable for the degree to which nearly every surface and feature was fashioned by him or one of his
Esherick's Studio is remarkable for the degree to which nearly every surface and feature was fashioned by him or one of his
Join us for a conversation with Sam Olshin, FAIA and Lisa Dustin, AIA of Atkin Olshin Schade (AOS) Architects of Philadelphia, PA
In 1956, Wharton Esherick built a workshop annex to his iconic studio-home. The new building was geometric, consisting of three hexagonal modules
Our current installation, Home as Site, features some of the blueprints and architectural drawings that are a part of WEM’s collection. In
Esherick's Studio was built over several decades from 1926 through 1966 and is, in many ways, a revealing self-portrait showcasing the many
Join us in celebrating the opening of Home as Self, our 28th Annual Juried Woodworking Exhibition! Featuring artists from across the country,
From the 1910s through the 1930s, Wharton and Letty Esherick lived as artists and homesteaders in a farmhouse that they called “Sunekrest”
Join us for a conversation with Katie Hudnall, our Home as Self second place prizewinner! We’ll talk with Katie about her piece
On the east wall of the Studio hangs an oil on canvas self-portrait by Wharton Esherick. To countless visitors this impressionist-style painting,
Join us for a conversation with artist and furniture maker Virginia Blanchard, the first place prize winner in Home as Self, WEM’s