Helene Fischer and ‘The Lane’
"The Lane" wood engraving, 1931. A tree-lined drive, simple and clean in it’s balanced symmetry creates the scene of Wharton
"The Lane" wood engraving, 1931. A tree-lined drive, simple and clean in it’s balanced symmetry creates the scene of Wharton
Ken McNelis sketching in the bedroom. Though celebrated by a younger generation of woodworkers, Wharton Esherick never embraced the role
Katelin cataloging the models in Esherick’s bedroom. We’ve been soaking up the summer sun on the hilltop here, and with
Hedgerow Theatre, Image courtesy of Wikicommons and Smallbones. This month's article was originally published in the Wharton Esherick Museum Quarterly
This early woodcut by Wharton Eshrick illustrated the poem, "Ornaments," in "Rhymes of Early Jungle Folk," 1922. Wharton Esherick’s adventures
March is Women's History Month, and while there have been many amazing women involved in Esherick's life and the history of the
Portrait of Theodore Dreiser, 1933 by Carl Van Vechten. Courtesy the Library of Congress, Prints & Photographs Division. Carl Van Vechten
Usually, our Woodcut Wednesday posts on our Facebook page consist of just a few sentences about one of the over 350 woodcut
Sketch from the 'Behind the Scenes at Hedgerow' folder labeled 'Setting Androcles for the Camera, 1947.' Climb the red oak
Rhythms II on display in the forest of Esherick sculptures that is the main gallery. Photo by Charles Uniatowski. Among