Published by Rizzoli, this 224 page book introduces Esherick’s visionary work to a broader public with essays by scholars Sarah Archer, Colin Fanning, Ann Glasscock, Holly Gore, and Emily Zilber and photographs by renowned architectural photographer Joshua McHugh.

Wharton Esherick and the Birth of the American Modern explores Esherick’s artistic evolution during the early decades of the twentieth century, culminating in the exhibition of his work as part of the Pennsylvania Hill House at the 1940 World's Fair in New York City. Trained as an illustrator and painter, experienced in modern theater and dance, well exposed to new ideas in philosophy, politics, and literature, Esherick experimented with woodcarving and printmaking, laying the foundation for his emergence as an artist of remarkable range.