• Out of stock
    Available as black print on white.  100% cotton. Only 5 left! We will not be restocking this design in the white t-shirt!
  • Available in black print on white t-shirt, or as white print on black t-shirt. 100% cotton.
  • Help us celebrate our 50th Anniversary with this commemorative wooden magnet! This playful interpretation of the Studio building measures 4" x 3", and is made of laser-etched Baltic birch plywood.  This is a great addition to any refrigerator magnet collection!  
  • The Society was very pleased to have the opportunity to collaborate with Bob Bascom and the Wharton Esherick Society staff in the production of this special publication and celebrates the life of a truly remarkable woman, and shares some of the stories from her lifelong relationship with her beloved husband, their family, and the community.
  • Looking for the perfect addition to your workshop overalls? How about our Esherick Light Pull Pin! A playful interpretation of one of Esherick's sculptural light pulls.  It measures 1.5" x .5" and provides a perfect little reminder to stay inspired no matter what you're working on.  
  • Looking for the perfect addition to your workshop overalls? How about our "Winnie" Enamel Pin! This playful interpretation of Esherick's 1930 "Winnie the Pooh" sculpture -- who greets visitors to the Museum at our Visitor Center and on the Studio deck -- measures 1" x 1.5" and provides a perfect little reminder to stay inspired no matter what you're working on.  
  • Looking for the perfect addition to your workshop overalls? How about our Esherick Stool Enamel Pin! A playful interpretation of Esherick's three-legged stool.  It measures 1.25" x 1.5" and provides a perfect little reminder to stay inspired no matter what you're working on.  
  • Established in 1999, Historic Artists’ Homes and Studios (HAHS), a program of the National Trust for Historic Preservation, is a coalition of museums throughout the country that were the homes and studios of American artists. From the desert vistas of Georgia O’Keeffe’s New Mexico ranch to Winslow Homer’s studio on the rocky, windswept coast of southern Maine, the homes and studios in the network are sites of extraordinary creativity. The Wharton Esherick Museum is proud to be a founding HAHS member, and a site featured in this publication.

    Guide to Historic Artists’ Homes & Studios is the first guidebook to the network, conveying each artist’s visual legacy and setting each site in the context of its architecture and landscape, which often were designed by the artists themselves. Through portraits, artwork, and site photos, discover the powerful influence of place on American greats such as Andrew Wyeth, Grant Wood, Lee Krasner, and Donald Judd, as well as lesser-known but equally creative figures who made important contributions to cultural history---multimedia artist James Castle, photographer Alice Austen, and muralist Clementine Hunter among them.

    Organized by region Guide to Historic Artists’ Homes & Studios weaves the history of the sites’ architecture and landscape with the artists’ biographies and their visual legacy. The guide features portraits of the artists, examples of their artwork, site descriptions, and photographs as well as visitor information and a site map.

      Guide to Historic Artists’ Homes & Studios: A Program of the National Trust for Historic Preservation

    By Valerie A. Balint | Foreword by Wanda M. Corn, Preface by Donna Hassler and Katherine Malone-France

    Publication date: June 2, 2020. Paperback with flaps. 256 pages. 225 Color & B+W photographs.

    Cover photo by Don Freeman, 2019

  • An intimate and revealing collection of photographs of astonishingly beautiful, iconic, and undiscovered mid-century interiors. Among significant mid-century interiors, none are more celebrated yet underpublished as the homes created by architects and interior designers for themselves. This collection of newly commissioned photographs presents the most compelling homes by influential mid-century designers, such as Russel Wright, George Nakashima, Harry Bertoia, Charles and Ray Eames, and Eva Zeisel, among others. Intimate as well as revelatory, Williamson’s photographs show these creative homes as they were lived in by their designers: Walter Gropius’s historic Bauhaus home in Massachusetts; Albert Frey’s floating modernist aerie on a Palm Springs rock outcropping; Wharton Esherick’s completely handmade Pennsylvania house, from the organic handcarved staircase to the iconic furniture. Personal and breathtaking by turn—these homes are exemplary studies of domestic modernism at its warmest and most creative.
  • Wharton Esherick and the Birth of the American Modern explores Esherick’s artistic evolution during the early decades of the twentieth century, culminating in the exhibition of his work as part of the Pennsylvania Hill House at the 1940 World's Fair in New York City. Trained as an illustrator and painter, experienced in modern theater and dance, well exposed to new ideas in philosophy, politics, and literature, Esherick experimented with woodcarving and printmaking, laying the foundation for his emergence as an artist of remarkable range.
  • Out of stock
    T-shirt features Wharton's woodcut illustration for D.H. Lawrence's "Reflections on the Death of a Porcupine", a collection of essays published by Centaur Press in 1926. Available as white print on light heather green t-shirt. Short sleeved. 100% cotton.
  • This facsimile edition of a 1922 children’s book features seventy-three dynamic and whimsical woodcut illustrations—the first woodcuts that the famed American craftsman Wharton Esherick produced. A high-quality replica authorized by the Wharton Esherick Museum, this book reveals the foundation of Esherick’s direction as an artist. Edited by Museum director Paul Eisenhauer, it also features a foreword by Museum assistant curator Laura Heemer. The illustrations frame verses that introduce children to the principles of evolution, a highly controversial topic at the time: the book was published three years before the famous Scopes “Monkey” trial of 1925 that resulted in the inclusion of the teaching of evolution in public schools. Drawn by the excitement of the controversy, Esherick threw his passion into these illustrations. Afterward he would go on to carve over 300 woodcuts, leading to decorative carving, and ultimately, to Esherick’s realization that he was a sculptor rather than a painter.
  • In 1922, Wharton Esherick showed a copy Rhymes of Early Jungle Folk, which he had illustrated with woodcut prints, to Harold Mason, owner of the Centaur Bookshop in Philadelphia. Impressed by what he saw, Mason asked Esherick to illustrate Walt Whitman’s Song of the Broad-Axe, which Mason published in a limited edition in 1924.  Inspired by the woodcuts, Esherick created a hand-bound prototype book of Whitman’s poem, using prints made directly from his blocks and hand-lettering it in Esherick’s own calligraphic style. Illuminated letters were used to begin paragraphs, and spaces at the end of lines were filled with blue and yellow drawings that reflect the content of the verses. The result of this labor of love was a work of art, 17x12 inches, with pages of handmade paper, folded and uncut.  This book is a reproduction of Esherick’s prototype, authorized by the Wharton Esherick Museum. Though this edition is smaller than the prototype book, the original was carefully scanned and printed to provide as true a reproduction as possible. It faithfully captures the artist’s vision and skill and, for the first time, makes this wonderful work available to the general public. It will be appreciated by all admirers of Esherick, Whitman, and lovers of fine books. 
  • Set of four postcards including images of Wharton's studio home, dining room, bedroom and spiral staircase.  Each postcard measures 3 1/2" x 5 1/2".
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