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http://www.staceyleewebber.com/ Photo courtesy of the artist -
A rich collection of imagery explores the actual homes of three of the most esteemed wood artist/craftsmen of the modern era: Wharton Esherick, Sam Maloofi, and George Nakashima. Tour the private homes of these masters and compare their innovation and vision through the medium of their own homes, gardens, and work areas. Step into their environments, where aesthetics are most accurately realized. You’ll delight in Esherick’s humble mountaintop home where straight lines were purposefully forbidden, and Maloof’s sprawling California home that expresses his inexhaustible creativity and industriousness. Nakashima‘s home is a harmonious marriage of Japanese influences with Pennsylvania’s rich natural resources. This book is a must-have for devotees of these artists, as well as aspiring woodworkers who want tutelage from the top. -
Live at The Museum for Art in Wood 10/14/2022 Run Time: 9:49 Composed and Performed by Colin Pezzano & Sam Gasparre.Recorded by Kevin Keenan http://www.colinpezzano.com/ -
An intimate and revealing collection of photographs of astonishingly beautiful, iconic, and undiscovered mid-century interiors. Among significant mid-century interiors, none are more celebrated yet underpublished as the homes created by architects and interior designers for themselves. This collection of newly commissioned photographs presents the most compelling homes by influential mid-century designers, such as Russel Wright, George Nakashima, Harry Bertoia, Charles and Ray Eames, and Eva Zeisel, among others. Intimate as well as revelatory, Williamson’s photographs show these creative homes as they were lived in by their designers: Walter Gropius’s historic Bauhaus home in Massachusetts; Albert Frey’s floating modernist aerie on a Palm Springs rock outcropping; Wharton Esherick’s completely handmade Pennsylvania house, from the organic handcarved staircase to the iconic furniture. Personal and breathtaking by turn—these homes are exemplary studies of domestic modernism at its warmest and most creative. -
http://www.staceyleewebber.com/ Photo courtesy of the artist -
Packs of land-themed Esherick woodcut print notecards. Available for a limited time. Each pack includes 'Diamond Rock Hill,' 'The Solid Forest,' 'Porcupine,' and 'August.' 12 cards in a pack (3 of each design). -
Packs of water-themed Esherick woodcut print notecards. Available for a limited time. Each pack includes 'Bright Mariner,' 'Bird in the Rain,' 'Water and Rocks,' and 'On The Deck.' 12 cards in a pack (3 of each design). -
Packs of winter-themed Esherick woodcut print notecards. Each pack includes 'The Lane,' 'December,' and 'Christmas Snow.' 12 cards in a pack. More about the woodcuts: 'The Lane' features the snowy drive of Esherick's friend and patron Helene Fischer's home in the West Mount Airy neighborhood of Philadelphia. 'December' depicts the Esherick's own home, "Sunekrest," the 19th-century farmhouse he and his wife Letty first lived when they moved to the Paoli countryside. 'Christmas Snow' is a lovely snowy depiction of the home of Dorothy Cantrell. -
In 1922, Wharton Esherick showed a copy Rhymes of Early Jungle Folk, which he had illustrated with woodcut prints, to Harold Mason, owner of the Centaur Bookshop in Philadelphia. Impressed by what he saw, Mason asked Esherick to illustrate Walt Whitman’s Song of the Broad-Axe, which Mason published in a limited edition in 1924. Inspired by the woodcuts, Esherick created a hand-bound prototype book of Whitman’s poem, using prints made directly from his blocks and hand-lettering it in Esherick’s own calligraphic style. Illuminated letters were used to begin paragraphs, and spaces at the end of lines were filled with blue and yellow drawings that reflect the content of the verses. The result of this labor of love was a work of art, 17x12 inches, with pages of handmade paper, folded and uncut. This book is a reproduction of Esherick’s prototype, authorized by the Wharton Esherick Museum. Though this edition is smaller than the prototype book, the original was carefully scanned and printed to provide as true a reproduction as possible. It faithfully captures the artist’s vision and skill and, for the first time, makes this wonderful work available to the general public. It will be appreciated by all admirers of Esherick, Whitman, and lovers of fine books.
