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Available in black print on white t-shirt, or as white print on black t-shirt. 100% cotton. -
Short Sleeve Logo T-shirt Available as Mint print on Hunter Green t-shirt. 100% Gildan Ultra Cotton. 5.3 oz -
This print was struck from Wharton Esherick’s original woodblock and printed by letterpress on Torinoko paper. The paper quality, size, and printing technique used to make these prints were thoughtfully chosen from close examination of Esherick’s original prints in the Wharton Esherick Museum collection. This limited series of 25 prints were struck by Katie Garth, a Philadelphia-based print artist and educator. Learn more about her work at katiegarth.com. From an edition of 25 printed in 2024. Comes unmatted and unframed. *Please note that these prints are struck from Esherick’s woodblocks and reflect his original marks.* -
This print was struck from Wharton Esherick’s original woodblock and printed by letterpress on Torinoko paper. The paper quality, size, and printing technique used to make these prints were thoughtfully chosen from close examination of Esherick’s original prints in the Wharton Esherick Museum collection. This limited series of 25 prints were struck by Katie Garth, a Philadelphia-based print artist and educator. Learn more about her work at katiegarth.com. From an edition of 25 printed in 2024. Comes unmatted and unframed. *Please note that these prints are struck from Esherick’s woodblocks and reflect his original marks.* -
These fine art prints are digitally printed on Hahnemühle German Etching paper. -
The Society was very pleased to have the opportunity to collaborate with Bob Bascom and the Wharton Esherick Society staff in the production of this special publication and celebrates the life of a truly remarkable woman, and shares some of the stories from her lifelong relationship with her beloved husband, their family, and the community. -
Looking for the perfect addition to your workshop overalls? How about our Esherick Light Pull Pin! A playful interpretation of one of Esherick's sculptural light pulls. It measures 1.5" x .5" and provides a perfect little reminder to stay inspired no matter what you're working on. -
Looking for the perfect addition to your workshop overalls? How about our "Winnie" Enamel Pin! This playful interpretation of Esherick's 1930 "Winnie the Pooh" sculpture -- who greets visitors to the Museum at our Visitor Center and on the Studio deck -- measures 1" x 1.5" and provides a perfect little reminder to stay inspired no matter what you're working on. -
Established in 1999, Historic Artists’ Homes and Studios (HAHS), a program of the National Trust for Historic Preservation, is a coalition of museums throughout the country that were the homes and studios of American artists. From the desert vistas of Georgia O’Keeffe’s New Mexico ranch to Winslow Homer’s studio on the rocky, windswept coast of southern Maine, the homes and studios in the network are sites of extraordinary creativity. The Wharton Esherick Museum is proud to be a founding HAHS member, and a site featured in this publication.
Guide to Historic Artists’ Homes & Studios is the first guidebook to the network, conveying each artist’s visual legacy and setting each site in the context of its architecture and landscape, which often were designed by the artists themselves. Through portraits, artwork, and site photos, discover the powerful influence of place on American greats such as Andrew Wyeth, Grant Wood, Lee Krasner, and Donald Judd, as well as lesser-known but equally creative figures who made important contributions to cultural history---multimedia artist James Castle, photographer Alice Austen, and muralist Clementine Hunter among them.
Organized by region Guide to Historic Artists’ Homes & Studios weaves the history of the sites’ architecture and landscape with the artists’ biographies and their visual legacy. The guide features portraits of the artists, examples of their artwork, site descriptions, and photographs as well as visitor information and a site map.
Guide to Historic Artists’ Homes & Studios: A Program of the National Trust for Historic PreservationBy Valerie A. Balint | Foreword by Wanda M. Corn, Preface by Donna Hassler and Katherine Malone-France
Publication date: June 2, 2020. Paperback with flaps. 256 pages. 225 Color & B+W photographs.Cover photo by Don Freeman, 2019
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In 1922, Wharton Esherick showed a copy Rhymes of Early Jungle Folk, which he had illustrated with woodcut prints, to Harold Mason, owner of the Centaur Bookshop in Philadelphia. Impressed by what he saw, Mason asked Esherick to illustrate Walt Whitman’s Song of the Broad-Axe, which Mason published in a limited edition in 1924. Inspired by the woodcuts, Esherick created a hand-bound prototype book of Whitman’s poem, using prints made directly from his blocks and hand-lettering it in Esherick’s own calligraphic style. Illuminated letters were used to begin paragraphs, and spaces at the end of lines were filled with blue and yellow drawings that reflect the content of the verses. The result of this labor of love was a work of art, 17x12 inches, with pages of handmade paper, folded and uncut. This book is a reproduction of Esherick’s prototype, authorized by the Wharton Esherick Museum. Though this edition is smaller than the prototype book, the original was carefully scanned and printed to provide as true a reproduction as possible. It faithfully captures the artist’s vision and skill and, for the first time, makes this wonderful work available to the general public. It will be appreciated by all admirers of Esherick, Whitman, and lovers of fine books. -
Wharton Esherick and the Birth of the American Modern explores Esherick’s artistic evolution during the early decades of the twentieth century, culminating in the exhibition of his work as part of the Pennsylvania Hill House at the 1940 World's Fair in New York City. Trained as an illustrator and painter, experienced in modern theater and dance, well exposed to new ideas in philosophy, politics, and literature, Esherick experimented with woodcarving and printmaking, laying the foundation for his emergence as an artist of remarkable range. -
This facsimile edition of a 1922 children’s book features seventy-three dynamic and whimsical woodcut illustrations—the first woodcuts that the famed American craftsman Wharton Esherick produced. A high-quality replica authorized by the Wharton Esherick Museum, this book reveals the foundation of Esherick’s direction as an artist. Edited by Museum director Paul Eisenhauer, it also features a foreword by Museum assistant curator Laura Heemer. The illustrations frame verses that introduce children to the principles of evolution, a highly controversial topic at the time: the book was published three years before the famous Scopes “Monkey” trial of 1925 that resulted in the inclusion of the teaching of evolution in public schools. Drawn by the excitement of the controversy, Esherick threw his passion into these illustrations. Afterward he would go on to carve over 300 woodcuts, leading to decorative carving, and ultimately, to Esherick’s realization that he was a sculptor rather than a painter. -
Looking for the perfect addition to your workshop overalls? How about our Esherick Stool Enamel Pin! A playful interpretation of Esherick's three-legged stool. It measures 1.25" x 1.5" and provides a perfect little reminder to stay inspired no matter what you're working on. -
Struck from Wharton Esherick's original woodblock; printed on Torinoko paper; comes unmatted & unframed. This print was a collaboration with UPENN and printed in 2012 *Please note: there is a small imperfection in the center of the woodblock that results in a scratch-like blemish in the print.* -
Available as a black print on mustard yellow t-shirt. 100% cotton -
Artist Wharton Esherick (1887-1970) is best known for his sculptural wood pieces and the way he applied the principles of sculpture to designs for functional objects. His pioneering work has made him an inspiration to fine woodworkers worldwide, helping to elevate the medium from craft to major art museums. Much of Esherick’s work is now on display in this rural studio he built on a hillside in Pennsylvania. This catalog documents, with beautiful color photography, more than 130 paintings, woodblock prints, sculpture, and utilitarian objects found at the Wharton Esherick Museum. One gains an appreciation for the range and depth of Esherick’s work when these pieces can be studied individually. -
Published by Rizzoli, this 224 page book introduces Esherick’s visionary work to a broader public with essays by scholars Sarah Archer, Colin Fanning, Ann Glasscock, Holly Gore, and Emily Zilber and photographs by renowned architectural photographer Joshua McHugh.
