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Photo courtesy of the artist. -
Photo courtesy of the artist -
Photo courtesy of the artist -
Photo courtesy of the artist -
This print was struck from Wharton Esherick’s original woodblock and printed by letterpress on Torinoko paper. The paper quality, size, and printing technique used to make these prints were thoughtfully chosen from close examination of Esherick’s original prints in the Wharton Esherick Museum collection. This limited series of 25 prints were struck by Katie Garth, a Philadelphia-based print artist and educator. Learn more about her work at katiegarth.com. From an edition of 25 printed in 2024. Comes unmatted and unframed. *Please note that these prints are struck from Esherick’s woodblocks and reflect his original marks.* -
This print was struck from Wharton Esherick’s original woodblock and printed by letterpress on Torinoko paper. The paper quality, size, and printing technique used to make these prints were thoughtfully chosen from close examination of Esherick’s original prints in the Wharton Esherick Museum collection. This limited series of 25 prints were struck by Katie Garth, a Philadelphia-based print artist and educator. Learn more about her work at katiegarth.com. From an edition of 25 printed in 2024. Comes unmatted and unframed. *Please note that these prints are struck from Esherick’s woodblocks and reflect his original marks.* -
This print was struck from Wharton Esherick’s original woodblock and printed by letterpress on Torinoko paper. The paper quality, size, and printing technique used to make these prints were thoughtfully chosen from close examination of Esherick’s original prints in the Wharton Esherick Museum collection. This limited series of 25 prints were struck by Katie Garth, a Philadelphia-based print artist and educator. Learn more about her work at katiegarth.com. From an edition of 25 printed in 2024. Comes unmatted and unframed. *Please note that these prints are struck from Esherick’s woodblocks and reflect his original marks.* -
http://www.staceyleewebber.com/ Photo courtesy of the artist -
Steve Sinner Untitled, 2024 Maple, Watco Oil 2 5/8 x 1 1/8 x 1 1/8 inches This artwork is featured in Renewal: WEM's 31st Annual Juried Woodworking Exhibition on view through September 7, 2025. The twenty-five artists featured in this exhibition each approach renewal from a unique perspective, yet they share an interest in exploring its many manifestations through wood, whether focusing on its material properties, historical resonance, inherent narratives, or metaphorical potential. *Shipping of artworks from the Juried Woodworking Exhibition will be arranged by the artist. Please enter the coupon code juried31 at checkout to receive free shipping on these items. *Member discount cannot be applied to artworks in the Juried Woodworking Exhibition. -
Handmade Bentwood Necklace - Walnut / Brass -
Out of stock
Earrings from Morgan Hill's 'Classics' series. https://www.morganhillcreative.com/ Photo courtesy of the artist. -
Struck from Wharton Esherick's original woodblock; printed on Torinoko paper; comes unmatted & unframed. This print was a collaboration with UPENN and printed in 2012 *Please note: there is a small imperfection in the center of the woodblock that results in a scratch-like blemish in the print.* -
Earrings from Morgan Hill’s ‘Bad Habits’ series. https://www.morganhillcreative.com/ -
Out of stock
Handmade Bentwood Earrings - Hard Maple / Brass -
Out of stock
Handmade Bentwood Jewelry - Sassafras Earrings -
http://www.staceyleewebber.com/ Photo courtesy of the artist -
Handmade Bentwood Earrings - Maple / Brass -
Out of stock
Handmade Bentwood Earrings - Sassafras / Brass -
Handmade Bentwood Jewelry - White Oak Bangle -
Handmade Bentwood Jewelry - Elm Cuff -
Out of stock
Handmade Bentwood Jewelry - Sassafras Cuff -
Handmade Bentwood Jewelry - Sassafras Earrings -
These fine art prints are digitally printed on Hahnemühle German Etching paper. -
Handmade Bentwood Jewelry - Maple Cuff -
Published by Rizzoli, this 224 page book introduces Esherick’s visionary work to a broader public with essays by scholars Sarah Archer, Colin Fanning, Ann Glasscock, Holly Gore, and Emily Zilber and photographs by renowned architectural photographer Joshua McHugh.
