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Seth Rolland Castanea spiralis, 2024 Pruned Chestnut 18 x 17 x 2 inches This artwork is featured in Renewal: WEM's 31st Annual Juried Woodworking Exhibition on view through September 7, 2025. The twenty-five artists featured in this exhibition each approach renewal from a unique perspective, yet they share an interest in exploring its many manifestations through wood, whether focusing on its material properties, historical resonance, inherent narratives, or metaphorical potential. *Shipping of artworks from the Juried Woodworking Exhibition will be arranged by the artist. Please enter the coupon code juried31 at checkout to receive free shipping on these items. *Member discount cannot be applied to artworks in the Juried Woodworking Exhibition. -
http://www.staceyleewebber.com/ Photo courtesy of the artist -
http://www.staceyleewebber.com/ Photo courtesy of the artist -
http://www.staceyleewebber.com/ Photo courtesy of the artist -
Out of stock
http://www.staceyleewebber.com/ Photo courtesy of the artist -
Steve Sinner Untitled, 2024 Maple, Watco Oil 2 5/8 x 1 1/8 x 1 1/8 inches This artwork is featured in Renewal: WEM's 31st Annual Juried Woodworking Exhibition on view through September 7, 2025. The twenty-five artists featured in this exhibition each approach renewal from a unique perspective, yet they share an interest in exploring its many manifestations through wood, whether focusing on its material properties, historical resonance, inherent narratives, or metaphorical potential. *Shipping of artworks from the Juried Woodworking Exhibition will be arranged by the artist. Please enter the coupon code juried31 at checkout to receive free shipping on these items. *Member discount cannot be applied to artworks in the Juried Woodworking Exhibition. -
Talia Drury Sycamore I: Achenes, 2024 Sycamore 7 x 4 1/8 x 2 1/2 inches This artwork is featured in Renewal: WEM's 31st Annual Juried Woodworking Exhibition on view through September 7, 2025. The twenty-five artists featured in this exhibition each approach renewal from a unique perspective, yet they share an interest in exploring its many manifestations through wood, whether focusing on its material properties, historical resonance, inherent narratives, or metaphorical potential. *Shipping of artworks from the Juried Woodworking Exhibition will be arranged by the artist. Please enter the coupon code juried31 at checkout to receive free shipping on these items. *Member discount cannot be applied to artworks in the Juried Woodworking Exhibition. -
Teresa Audet Circumference VI, 2023 Cherry, dyed reed, flax and abaca paper pulp 32 x 32 x 4 inches This artwork is featured in Renewal: WEM's 31st Annual Juried Woodworking Exhibition on view through September 7, 2025. The twenty-five artists featured in this exhibition each approach renewal from a unique perspective, yet they share an interest in exploring its many manifestations through wood, whether focusing on its material properties, historical resonance, inherent narratives, or metaphorical potential. *Shipping of artworks from the Juried Woodworking Exhibition will be arranged by the artist. Please enter the coupon code juried31 at checkout to receive free shipping on these items. *Member discount cannot be applied to artworks in the Juried Woodworking Exhibition. -
Published by Rizzoli, this 224 page book introduces Esherick’s visionary work to a broader public with essays by scholars Sarah Archer, Colin Fanning, Ann Glasscock, Holly Gore, and Emily Zilber and photographs by renowned architectural photographer Joshua McHugh. -
In 1922, Wharton Esherick showed a copy Rhymes of Early Jungle Folk, which he had illustrated with woodcut prints, to Harold Mason, owner of the Centaur Bookshop in Philadelphia. Impressed by what he saw, Mason asked Esherick to illustrate Walt Whitman’s Song of the Broad-Axe, which Mason published in a limited edition in 1924. Inspired by the woodcuts, Esherick created a hand-bound prototype book of Whitman’s poem, using prints made directly from his blocks and hand-lettering it in Esherick’s own calligraphic style. Illuminated letters were used to begin paragraphs, and spaces at the end of lines were filled with blue and yellow drawings that reflect the content of the verses. The result of this labor of love was a work of art, 17x12 inches, with pages of handmade paper, folded and uncut. This book is a reproduction of Esherick’s prototype, authorized by the Wharton Esherick Museum. Though this edition is smaller than the prototype book, the original was carefully scanned and printed to provide as true a reproduction as possible. It faithfully captures the artist’s vision and skill and, for the first time, makes this wonderful work available to the general public. It will be appreciated by all admirers of Esherick, Whitman, and lovers of fine books.
