• From W.E. Woodblock Prints:  5 Blank inside cards (5" x 7"). Choose an assorted set or 5 of the same image.
  • Purchase tickets for an Experiencing Esherick tour to give as gifts to friends and family! Everyone knows someone they'd like to visit the Wharton Esherick Museum! Guest tickets are valued at $20 each (one adult admission to an Experiencing Esherick Tour) and come mailed with a brochure. » Prefer paperless? You can send gift tickets to your loved one via email! Purchase digital gift tickets here.
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    We’re celebrating Esherick’s printmaking with an exciting new shop item – Holzhausen Tea Towels! These tea towels bring a little piece of the Studio into your home, capturing the spirit of Esherick’s gift to his friend Hanna Weil, for whom he made a set of curtains with this dynamic repeating pattern. ‘Holzhausen’ is both the town in Germany where Hanna lived and Esherick’s title for his woodblock print depicting the view from her front porch. Screenprinted by Philadelphia-based artist and printmaker Marcus Benavides. Measures 28" x 28"
  • Packs of winter-themed Esherick woodcut print notecards. Each pack includes 'The Lane,' 'December,' and 'Christmas Snow.' 12 cards in a pack. More about the woodcuts: 'The Lane' features the snowy drive of Esherick's friend and patron Helene Fischer's home in the West Mount Airy neighborhood of Philadelphia.  'December' depicts the Esherick's own home, "Sunekrest," the 19th-century farmhouse he and his wife Letty first lived when they moved to the Paoli countryside.  'Christmas Snow' is a lovely snowy depiction of the home of Dorothy Cantrell.
  • 2018 edition of the Horse-Shoe Trail Guidebook with 10 full-color topographical maps. The Horse-Shoe Trail is a public trail for hiking and horseback riding. It begins in Valley Forge and continues westward for over 140 miles to its junction with the Appalachian Trail on the crest of Stony Mountain north of Hershey. This trail guide, along with a complete set of maps, is a valuable resource for planning your hike on this historic trail. The guide is 73 pages long and contains 10 fold out topographical maps showing the route of the trail.
  • Looking for the perfect addition to your workshop overalls? How about our Esherick Studio Enamel Pin! This playful interpretation of the Studio building measures 1" x 1.5" -- a perfect little reminder to stay inspired no matter what you're working on.  
  • Packs of land-themed Esherick woodcut print notecards. Available for a limited time. Each pack includes 'Diamond Rock Hill,' 'The Solid Forest,' 'Porcupine,' and 'August.' 12 cards in a pack (3 of each design).
  • Black print on ash grey shirt. The print is "The Hammersmen" from Wharton's illustrated and illuminated "Song of the Broad-Axe" by Walt Whitman. **Please note, the color of this shirt may vary from a light ash gray to a slightly darker heather gray (see pictured).**
  • Packs of water-themed Esherick woodcut print notecards. Available for a limited time. Each pack includes 'Bright Mariner,' 'Bird in the Rain,' 'Water and Rocks,' and 'On The Deck.' 12 cards in a pack (3 of each design).
  • T-shirt features Wharton's woodcut illustration for D.H. Lawrence's "Reflections on the Death of a Porcupine", a collection of essays published by Centaur Press in 1926. Available as white print on black t-shirt. 100% cotton.
  • Memories by one of Esherick’s apprentices that includes interesting insights to Esherick's personality and working style. Authored by Horace Hartshaw, 2004. Paperback, 45pp.
  • Looking for the perfect addition to your workshop overalls? How about our Porcupine Enamel Pin! A playful interpretation of Esherick's woodcut illustration for a collection of essays published by Centaur press in 1926.  It measures 1" x 1.5" and provides a perfect little reminder to stay inspired no matter what you're working on.  
  •  Artist Wharton Esherick (1887-1970) is best known for his sculptural wood pieces and the way he applied the principles of sculpture to designs for functional objects. His pioneering work has made him an inspiration to fine woodworkers worldwide, helping to elevate the medium from craft to major art museums. Much of Esherick’s work is now on display in this rural studio he built on a hillside in Pennsylvania. This catalog documents, with beautiful color photography, more than 130 paintings, woodblock prints, sculpture, and utilitarian objects found at the Wharton Esherick Museum. One gains an appreciation for the range and depth of Esherick’s work when these pieces can be studied individually.
  • A rich collection of imagery explores the actual homes of three of the most esteemed wood artist/craftsmen of the modern era: Wharton Esherick, Sam Maloofi, and George Nakashima. Tour the private homes of these masters and compare their innovation and vision through the medium of their own homes, gardens, and work areas. Step into their environments, where aesthetics are most accurately realized. You’ll delight in Esherick’s humble mountaintop home where straight lines were purposefully forbidden, and Maloof’s sprawling California home that expresses his inexhaustible creativity and industriousness. Nakashima‘s home is a harmonious marriage of Japanese influences with Pennsylvania’s rich natural resources. This book is a must-have for devotees of these artists, as well as aspiring woodworkers who want tutelage from the top.
  • Set of four postcards including images of Wharton's studio home, dining room, bedroom and spiral staircase.  Each postcard measures 3 1/2" x 5 1/2".
  • In 1922, Wharton Esherick showed a copy Rhymes of Early Jungle Folk, which he had illustrated with woodcut prints, to Harold Mason, owner of the Centaur Bookshop in Philadelphia. Impressed by what he saw, Mason asked Esherick to illustrate Walt Whitman’s Song of the Broad-Axe, which Mason published in a limited edition in 1924.  Inspired by the woodcuts, Esherick created a hand-bound prototype book of Whitman’s poem, using prints made directly from his blocks and hand-lettering it in Esherick’s own calligraphic style. Illuminated letters were used to begin paragraphs, and spaces at the end of lines were filled with blue and yellow drawings that reflect the content of the verses. The result of this labor of love was a work of art, 17x12 inches, with pages of handmade paper, folded and uncut.  This book is a reproduction of Esherick’s prototype, authorized by the Wharton Esherick Museum. Though this edition is smaller than the prototype book, the original was carefully scanned and printed to provide as true a reproduction as possible. It faithfully captures the artist’s vision and skill and, for the first time, makes this wonderful work available to the general public. It will be appreciated by all admirers of Esherick, Whitman, and lovers of fine books. 
  • Available as a black print on mustard yellow t-shirt. 100% cotton
  • This facsimile edition of a 1922 children’s book features seventy-three dynamic and whimsical woodcut illustrations—the first woodcuts that the famed American craftsman Wharton Esherick produced. A high-quality replica authorized by the Wharton Esherick Museum, this book reveals the foundation of Esherick’s direction as an artist. Edited by Museum director Paul Eisenhauer, it also features a foreword by Museum assistant curator Laura Heemer. The illustrations frame verses that introduce children to the principles of evolution, a highly controversial topic at the time: the book was published three years before the famous Scopes “Monkey” trial of 1925 that resulted in the inclusion of the teaching of evolution in public schools. Drawn by the excitement of the controversy, Esherick threw his passion into these illustrations. Afterward he would go on to carve over 300 woodcuts, leading to decorative carving, and ultimately, to Esherick’s realization that he was a sculptor rather than a painter.
  • An intimate and revealing collection of photographs of astonishingly beautiful, iconic, and undiscovered mid-century interiors. Among significant mid-century interiors, none are more celebrated yet underpublished as the homes created by architects and interior designers for themselves. This collection of newly commissioned photographs presents the most compelling homes by influential mid-century designers, such as Russel Wright, George Nakashima, Harry Bertoia, Charles and Ray Eames, and Eva Zeisel, among others. Intimate as well as revelatory, Williamson’s photographs show these creative homes as they were lived in by their designers: Walter Gropius’s historic Bauhaus home in Massachusetts; Albert Frey’s floating modernist aerie on a Palm Springs rock outcropping; Wharton Esherick’s completely handmade Pennsylvania house, from the organic handcarved staircase to the iconic furniture. Personal and breathtaking by turn—these homes are exemplary studies of domestic modernism at its warmest and most creative.

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