New Installations in Wharton Esherick’s Studio
By now, you’ve undoubtedly heard about our exhibition with the Brandywine Museum of Art, The Crafted World of Wharton Esherick, that opened
By now, you’ve undoubtedly heard about our exhibition with the Brandywine Museum of Art, The Crafted World of Wharton Esherick, that opened
A large number of Esherick works— over eighty objects in total— are set to leave the Studio for the first time in
WEM’s 30th Annual Juried Woodworking Exhibition, Rhythms is open through September 8th, 2024. The theme for this year’s exhibition takes as
WEM's 30th Annual Juried Woodworking Exhibition, Rhythms is open through the September 8th. For this exhibition, we invited artists to share works
This summer we are excited to host WEM's 30th Annual Juried Woodworking Exhibition, Rhythms. This exhibition takes as its inspiration the expansive
In music, a “berceuse” is a lullaby, a composition with a rocking accompaniment and a soothing refrain. Wharton Esherick’s Berceuse (1923) is
Wharton Esherick’s work was well-traveled in his day. Selections of the artist’s work often went to New York venues like the Whitney,
This spring we opened our doors with Movement is Life, an exhibition exploring the influence of modernist dance communities on Esherick’s
In the biography Wharton Esherick: The Journey of a Creative Mind, Mansfield Bascom notes that Esherick was introduced to the
In 1935, Wharton Esherick began work on his largest commission, the Curtis Bok house. Approached initially by Curtis Bok to build bookshelves,